We made the first USB studio condenser, now we've made the first professional dynamic USB mic!

The Q1U features a smooth sounding neodymium element, capable of handling high SPL, cleverly interfaced to an on-board high quality microphone pre-amp, Analog-to-Digital converter and USB output. Just plug in the supplied USB cable, launch your DAW and start recording.

The Q7 is a handheld, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels.

The perfect choice for aspiring drummers everywhere.

The Alesis DM6 Kit highlights the best of Alesis' 20 years of experience in professional electronic percussion gear. This electronic drum set features a completely new sound module with 108 quality drum, cymbal, and percussion sounds. Its pads feel great and its hardware and rack system are high quality.

The all new ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The Digital MPA-II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

The input section of the Digital MPA-II operates at either a low or high plate voltage applied to the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays, with average or peak hold, show tube gain and digital output levels.

Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a pair of hand selected 12AX7A tubes in the low noise input circuitry. This, coupled with ART’s proprietary V3™ (Variable Valve Voicing) and variable input impedance allow the TPS II and DPS II to deliver incredible performance from cost effective single space rackmount solutions.

In the case of the DPS II, the added convenience of direct digital output connectivity making it an ideal expander for any computer interface or sound card with RCA S/Pdif digital input.

The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals.

The ProMPA II can operate at either a low or high plate voltage on the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays show tube gain.

The ART TubeFire8™ delivers the best of all worlds in one tube driven digital audio interface package. Ideal for any recording application, the TubeFire8™ packs eight incredibly warm second-generation discrete Class–A vacuum tube microphone preamps into a single rack space audio interface with balanced I/O, headphone monitoring and FireWire connectivity.

Every input channel offers both XLR input and 1/4-inch TRS balanced input with 70dB of gain. All inputs have independent –10dB Pad, High Pass filter, Phase Invert, clip indicators and a wide range LED meter to monitor the preamp levels. Phantom power is available on all XLR inputs making it ideal for complex multi-track recording with high quality condenser microphone sources.

The Tube PAC from ART is a combination of the world’s most popular tube mic/line preamplifier and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single convenient aircraft-quality, extruded aluminum chassis. This new table-top design allows for easy placement in the studio or on the stage with immediate access to all the controls, features, and metering. In addition to being a tremendous vocal and instrument preamplifier and compressor package, this may well be the ultimate in tube direct boxes!

The mic/line preamplifier stage is that of the TEC nominated Tube MP–a time (and studio) proven design. It provides over 70dB of gain, +48v phantom power, phase reversal, and is capable of warming up any instrument or microphone. LED level indicators are provided to monitor the output of a 12AX7a tube for harmonic content. The input level controls allows you to dial in the desired amount of tube warmth and then independently set the output level from the compressor circuitry. The tube compressor is a VCA-less, optical design–similar to that of the “classic” tube compressors. Its ultra-musical sound is ideal for voice and instrument applications. Threshold, compression/limiting ratios, adjustable release times, bypass, gain reduction metering, and output gain controls are provided.